![]() She completed a PhD in the History of Art at the University of Pennsylvania, and has taught in the Art History Department at New York University, from which she also earned a BA in Fine Arts. Her exhibitions for the Rubin Museum have included Genesis Breyer P-Orridge: Try to Altar Everything (2016), Francesco Clemente: Inspired by India (2014), Witness at a Crossroads: Photographer Marc Riboud in Asia (2014), and the three-part exhibition series Modernist Art from India(2011–13). He also directs The Velocity Fund-a regional-regranting program for Philadelphia artists supported by the Andy Warhol Foundation for the Visual Arts.īeth Citron is the Curator, Modern and Contemporary Art at the Rubin Museum. These works have received critical acclaim in The New York Times, The Atlantic, The Guardian, The BBC, NBC Nightly News, NPR and Huffington Post. As the founding Director of Temple Contemporary, Blackson has curated numerous works including Symphony for a Broken Orchestra, reForm, Funeral for a Home and Restoring Ideals, in partnership with artists and local and national communities. Rob Blackson’s research-based curatorial work is centered in the creation of practical and poetic solutions for systemic challenges within our society. ![]() Her latest book is Influx & Efflux: Writing Up with Walt Whitman (Duke University Press, 2020). She was a seminar director at the School for Criticism and Theory at Cornell in 2013. She has been a Fellow at the Internationales Kolleg fur Kulturtechnikforschung und Medienphilosophie, Bauhaus University, Weimar, Germany at Oxford University (Keble College), at Birkbeck Institute for the Humanities (University of London), and the Humanities Research Centre at Australian National University. Professor Bennett specializes in political theory: ecological philosophy, art and politics, American political thought, political rhetoric and persuasion, and contemporary social theory. She is one of the founders of the journal Theory & Event and edited the journal Political Theory: An International Journal of Political Philosophy from 2012-17. Mellon Professor of the Humanities at Johns Hopkins University. She has created education programs for several institutions, including Tate Modern, London, and Hayward Gallery, London. Angiama lives and works in transition. ![]() Previously, Angiama was Head of Education for documenta 14, Kassel, 2017 Director of Education for Manifesta 10, Saint Petersburg, 2014 and Curator of Public Programmes at Turner Contemporary, Margate. Through notions of unlearning and indigenous knowledge, artist-led project spaces, libraries, and schools interested in unfolding discourses gather to discuss and build radical education practices that destabilize the European canon. She is the initiator of Under the Mango Tree: Sites of Learning in cooperation with ifa (Institut für Auslandsbeziehungen), Stuttgart. She is inspired by working with artists who disrupt or provoke the social sphere through action, design, dance, and architecture. Sepake Angiama is a curator and educator interested in discursive practices, the social framework, and how we shape and form our experiences in understanding the world.
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